Dr Jennifer Ashton recently visited the studio for this portrait in her upcoming book Life After Suicide
Read MoreFrom Executive Portraits to Times Square Billboards: Honored to Support Project Yellow Light with CBS New York
Worked with CBS New York on a Project Yellow Light Times Square billboard, supporting the #DontTextAndDrive public safety campaign.
Read MoreBeyond the Headlines: Photographing Bruce Ratner, The Real New Yorker
Photographing Bruce Ratner in my studio I got to know the very real New Yorker beyond the public figure.
Read MoreA Glimpse into the Pages: My Photography of Lili Anolik in Vanity Fair
Portrait photography of Lili Anolik published by Vanity Fair.
Read MoreBeyond the Standard: How Composition Transforms a Headshot into a Portrait
When I get an assignment to photograph executives in dark suits against a black background, the challenge is to make them more of a portrait than a headshot. By shooting them off-center and giving them something to lean against, the tension makes the portrait more distinctive.
Read MoreA Decade of Trust: From Book Covers to Broadcast — Photographing Dr. Jennifer Ashton
It's incredibly rewarding when a professional relationship blossoms over the years, built on a foundation of trust and quality work. I've had the distinct pleasure of photographing Dr. Jennifer Ashton for over a decade now, a truly remarkable physician, author, and television medical contributor. She's the Chief Medical Correspondent for ABC News and Good Morning America, and a columnist for Cosmopolitan Magazine – a true powerhouse.
Our collaboration began in a pivotal moment for her, and for me. When Dr. Ashton needed a captivating image for her book cover, "The Body Scoop for Girls: A Straight-Talk Guide to a Healthy, Beautiful You," she came to me. That initial project was more than just a photoshoot; it was about capturing her approachable yet authoritative voice, perfectly suited for a guide designed to empower young women.
The Power of Good Work: A Lasting Partnership
That first book cover proved to be a catalyst. The team at Penguin Books, her publisher, clearly saw the value in our work. Since then, I've been honored to be called upon for half a dozen other book covers and author portraits for their diverse roster of talent.
This ongoing partnership is a testament to a simple, yet profound truth in any profession: it pays to do good work.Delivering high-quality images consistently, understanding the client's vision, and creating a comfortable, productive environment in the studio are all key. When you do that, clients not only return, but they also become advocates, opening doors to new and exciting opportunities.
Working with Dr. Ashton has always been a collaborative and inspiring experience. She has a natural grace and a genuine presence that translates beautifully through the lens. My aim is always to capture her authentic self – intelligent, compassionate, and relatable – qualities that resonate with her audience whether they're watching her on "Good Morning America" or reading her insightful books.
It's been a privilege to play a small role in the visual representation of her impactful career, and I look forward to many more years of capturing her evolving journey.
What collaborations in your own professional life have blossomed from that initial "good work"? Share your stories below!
When is the corporate photo not a portrait?
Photos of people not posing and just going about their business are especially useful for design purposes. The photo of some guy in some other office is not as powerful as your colleagues in your office. Tell your story without stock photos, transparency is key in 2018.
Read MoreEnjoyed working with Jack Petersen of Dynasty Financial Partners for Summit Trail Advisors
Enjoyed working with Jack Petersen of Dynasty Financial Partners for Summit Trail Advisors
Read Wall Street Journal full article “On Working With Financial Executives” on wsj.com
A Full Circle Moment: My Portrait of Zac Posen in "House of Z"
October 31, 2018 (revisiting a cherished memory)
It's truly a special kind of magic when a photograph you captured years ago resurfaces in a new and significant context. Back in the early days of his meteoric rise, I had the incredible opportunity to photograph fashion designer Zac Posenfor New York Times Magazine. He was already a force to be reckoned with, but this was still early in his journey, a pivotal time in his burgeoning career.
I vividly remember that shoot, aiming to capture the essence of his creative spirit and the passion that was already so evident in his work. My goal was to create a portrait that conveyed not just his image, but the artistic soul behind the designs.
Fast forward to October 2018 (and still a thrill today!), I was absolutely delighted to discover that my portrait of Zac Posen was featured in the new documentary, "@houseofz", which premiered at the Tribeca Film Festival and later found its home on Netflix. Directed by the talented @sandy_chronopoulos, "House of Z" offers an intimate look into Zac's world, charting his remarkable career highs and lows.
To see my work, created so early in his career, become a part of his documented history, appearing on a global platform like Netflix, was a truly humbling and exhilarating experience. It's a testament to the longevity and impact that a well-crafted portrait can have.
And what made the moment even sweeter? A personal thank you to Zac Posen for the repost! It’s always wonderful when subjects appreciate the art and connection formed during a session. It closes the loop on the creative process, from behind the lens to being seen by millions.
This full-circle moment with "House of Z" really underscored for me the enduring power of photography – how a single image can not only capture a moment in time but also become a piece of a larger, evolving narrative. It’s a reminder that every portrait tells a story, and sometimes, those stories find new life years down the road.
Have you seen "House of Z"? What portraits have stuck with you over time? Share your thoughts in the comments below!
Photo Credit: Michael Benabib
Beyond the Boardroom Cliché: The New Style of the American Businesswoman
Shoutout to the boss ladies disrupting their industries in style!
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Capturing corporate culture in it’s natural habitat
Reasons candid photos are useful:
Authenticity that corny stock photos cant convey.
Communicates your sense of collaboration
Shows your team working together
Shares your company culture
Captures a moment
Humanistic and relatable
Journalistic style photos tells your story.
Photo Credit: Michael Benabib
When I photographed David Bowie for Blender Magazine
When I photographed David Bowie for Blender Magazine I was told I'd only have 15min. The magazine wanted him shot against basic white background. I didn't want to blow my shot with Bowie so I saved a slice of time to shoot this abstract background. CEO photography is a race against the clock to produce an iconic photo - always be ready to capture that moment.
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Corporate Photoshoot with Pfizer for Future Pharmaceuticals Magazine
Corporate photoshoot with Pfizer executive, Craig Lipset, for the cover of Future Pharmaceuticals magazine at Pfizer headquarters.
Read MoreLiving in the Footsteps of Distinguished Flatiron Photographers
Henri Cartier-Bresson, a close friend of Cornell Capa, was a frequent visitor and member of Magnum Photos.
Read MoreCorporate Street Portrait
The Street Portrait
I always encourage my clients to shoot The Street Portrait in addition to their office shoot because some people look amazing under natural light and the backdrop of NYC makes everyone look good.
Read MoreCapture a moment that tells your story. LinkedIn VP of Marketing Solutions, Penry Price (Right); Photograher: Michael Benabib
7 Elements of High-Ranking LinkedIn Profile Photos
Tips for creating a high-performing LinkedIn profile photo.
Read MoreGOVERNOR CUOMO GRAND OPENING NEW KOSCIUSZKO BRIDGE
Elinor Lipman Author Portrait in New York Times
https://nyti.ms/2kZ8hGW
Photographing the Building of the Second Avenue Subway →
Industrial photography documenting the Second Avenue Subway construction.
Read MoreNew York Public Library Trustee Photo
Not all the jobs I do are corporate. Many of the photo I shoot are for philanthropic organizations. Personally, The New York Public Library has been one of my favorite places. That is why I was thrilled to get a call from a previous client who had worked at Montefiore Hospital asking if I would shoot the annual board of trustees photo at the NYPL.
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